I’ve been missing the semi-regular writing 

that I did in the past. I began blogging in 2005 and, for the most part,  left it behind in 2021. My old blog posts still make me happy and I’m glad they’re still here. Personal history. Good memories. Creative sharing. Occasional pop culture commentary. Photos. Lots of photos. 

I just stopped writing. And I slowly began to lose myself. Or at least a part of myself. 

I blamed the pandemic. 

Attempting to revive some sort of personal record keeping, I bought a calendar/journal each December with the goal of starting fresh by writing a little bit every day. It lasted a few weeks and then the daily notes turned into to-do lists and then the writing disappeared completely. Days, weeks, months and years passed. No notes. No record. No journaling. Did I even do anything in between those blank pages? Where’s the proof?

And then…

In 2023 I gave up the commercial piece of my creative life. A big change for me. After 20 years I stopped making things to sell. No shows. No commissions. No online sales. No feedback from my customers. Another empty space. 

So…. I'm back. And here's a little gift for you- my favorite photo I posted on Instagram this year. I titled it "Walton Goggins Action Figure."

   

Lorimarsha

Wear. Smile. Repeat.

Hello- I'm baaaack. 😍  I've been feeling the need to do some writing and sharing. I started this blog in 2005. Whoa- 20 years ago! While I have retired from the commercial aspects of my business, I will always  make things. It's just who I am. 

In case we haven't met...

I've been a self-employed designer since 1998. I started with a handmade greeting card business. The collage-style cards incorporated stitching which may explain my transition to fashion and accessories in 2001. Everything I make is one-of-a-kind. My favorite "raw" materials are salvageable preloved clothing, home textiles and vintage buttons- especially Bakelite. 

I'm always on the lookout for things like silk kimonos, embroidered tablecloths, and souvenir linen tea towels. I'm drawn to natural fabrics and vintage textiles.  My original goal which continues to this day is to be a part of a sustainable approach to fashion. Sadly,  "sustainability" is now a buzz word that even companies like H&M and (newly bankrupted) Forever 21 have adopted. Don't be fooled by greenwashing!

Back in the day, my work was featured in Belle Armoire, Niche, and American Craft magazines. No current media hype to share. 😂🤗 

I can be reached by email at lmsandstedtail@gmail.com.

Below are some examples of my work.

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          Tunics/Tops from recycled silk scarves

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           Wedding Dresses                      

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Garments from vintage textiles

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               Jewelry from recycled components

Revisiting Early Work

I was working in my studio a couple of days ago, digging deep into storage when I found a few of my early pieces I had completely forgotten about. They're from 2006-2008, back before sustainability was a buzzword when repurposing was in its infancy....at least in fashion.

Early on I took inspiration from the work of Christian LaCroix, Jean Paul Gaultier and Vivienne Westwood. I was drawn to their beautiful and ultra feminine designs.  I began searching thrift stores and flea markets for vintage corsetry and underpinnings to spark my creativity and reimagine them into pretty tops and dresses.
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The very first piece I designed was this top created from a vintage 1940s cotton corset, a vintage hankie and a few buttons and ribbons.  Take a look at all of those gorgeous buttons running down the side. I'm pleased that I held onto this piece. It was featured in Belle Armoire magazine.

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The piece below was upcycled from a Victorian era jacket that was way too small for anyone to fit into. I opened up the back adding a vintage lace panel. Unfortunately I don't have a photo of the back. Again...those buttons!

I redesigned this plain, simple corset using cuttings from a burlap coffee bag and various vintage ribbons and trims.

Here's a fun project where I repurposed vintage zippers, adding them to an existing black cotton corset.

My fascination with vintage underpinnings continued with more upcycled corsetry and vintage silk textiles...

This is the second dress I designed and it was featured on the cover of Belle Armoire magazine. (I still have this one.)

The dress below had a lovely tulle underskirt and was pieced from several Victorian era garments that were in disrepair. One of my dear friends owns it.

This dress was also featured in Belle Armoire and was always one of my favorites with the mix of embroideries, ruffles and lace. Another one that got away and I wish I still had. 

Deeply into my Vivienne Westwood period, the textiles got darker and the shapes more abstract. 😊 The next was a two piece garment - the skirt made up in a menswear inspired textile paired with a silk layered and ruffled top.

This was the first time I used upcycled leather in the mix of leather, and brocade. 

The final piece is a blanket coat where I mixed a wrap around skirt with cashmere pieces and leather remnants.

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I don't own many of these garments- most went to what I hope are still happy customers. It's always fun to revisit the early work. 

Thank you for coming to my retrospective.  

Summer 2019 Collection

It's almost that time again! I've been working on a collection of casual and chic separates for weekend getaways, entertaining at home or just plain wearing to feel good about yourself! I've been inspired by the beach pajamas of the 1930s. In that era they wore colorful, flowy ensembles paired with sandals and a straw hat. Here are some photos from that time frame.

I'll be hosting a trunk show and sale at my home in Redlands on Wednesday, June 19 from 11-4. Email me at lmsandstedt@gmail.com for more information or to book a private showing. I've also reopened my Etsy store and you can see my latest work from this link:  Lorimarsha on Etsy

Even though your travel plans may not include the Cote D'Azur, there's no reason not to be comfortable and chic-- even at home!

I sourced vintage cold rayon from the 1940s to create designs having that colorful, breezy aesthetic. Some come in sets and others are separates. This is the first time that I've made pants, so it's always fun to try something new. I also incorporated self-made interfacing and piping to add some pop.

Another piece of the collection are the pants I designed from a mix of vintage textiles. I especially love them to be colorful and somewhat quirky. They are drawstring waist to fit a variety of sizes. Here's me wearing my own pair.

With temps hitting near 100 degrees today, there's nothing better than dressing cool, comfortable and chic. 

Follow me on Instagram @lorimarsha to see my current projects and inspirations. Have a great summer, friends!

Falling in love with Matisse

While I've always loved impressionist painting, I'd never really spent a lot of time looking at Matisse. I guess I thought of him more in terms of his cut outs than as a painter. Since I started drawing a few years ago, my style has been pretty much detailed line drawings with lots of color. It seemed that whenever I tried to loosen up, I just couldn't.

I started studying Matisse's painting style, especially those of sitting women and open windows.  I began to notice the detail in the garments, the wallpaper, the furniture. Very decorative and quite beautiful.  In fact, in 2005 The New York Metropolitan Museum of Art hosted an exhibit called "Matisse: The Fabric of Dreams His Art and Textiles."

I learned that he came from a family of textile artists. Well that made sense! For generations Matisse's family had been involved in the textile industry in northern France. He had an innate appreciation for textiles and was an avid collector of fabrics, from his early days as a poor art student in Paris to the latter years of his life, when his Nice studio overflowed with exotic costumes and wall hangings. Used traditionally at first, as mere background elements in his compositions, textiles soon became the springboard for his radical experiments with perspective and an art based on decorative patterning and pure harmonies of color and line.* 

I decided to try to copy the style. It's much more flowy and soft...less hard lines as in my own work. I've never been one to copy but I found that copying paintings helped to free me up.  I also enjoyed, in some cases, choosing my own color palette. He helped me see the human body as maybe something I could draw. The hands, feet and facial structure are soft and inviting.

Here are some examples of the Matisse paintings I've copied.

Recently I did a drawing of a new  sun room upstairs in my house and I noticed a bit of a change in my own style. Still plenty of lines and detail but a bit softer in spots.

I had taken a break from drawing so the past few weeks have been a lot of fun exploring it again...with a different perspective.



*From The Met's online description of the exhibit "Matisse: The Fabric of His Art and His Textiles."